Another big release week is officially upon us, and among the many new albums I already have queued up Thomas Miller’s Lazarus Effect is right there among them. Out through Sensory Records, this debut from the founding/former bassist of Symphony X is a satisfying ride that is equal parts heavy, progressive, and melodic. But I’m sure many of us both expected and hoped for exactly that given the names attached to this project. You’re in for a treat. Thomas stepped in to introduce this album and project a little bit more, so give it a read and get an early preview of all there is to look forward to in just a few short days.

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How and when did you first get into playing music, or metal more specifically, and how did your band get its start? Any pushback from family/those close to you?

I started playing bass guitar on my 10th birthday, after seeing Kiss in concert. It was more of an attraction to Gene Simmons’ character than actually the bass that initially inspired me to get into music and start taking lessons. I then started listening to Aerosmith and Led Zeppelin, and shortly after, more progressive music, such as Rush and Yes.  No one in my family played an instrument, so music was never an inherited choice or an inspiration through someone I knew, although my father was extremely supportive of my choice of becoming a musician.

How would you describe your band and what you play to someone who is completely in the dark?

“Lazarus Effect” evolved after meeting the singer, Howard Portney, while doing some studio work together. We liked the same styles of music, he had a great work ethic and was easy to work with. As far as getting a guitarist and keyboard player, that was a no-brainer, since Romeo, Pinnella, and I have always worked great together.

Is there anything about your upcoming album or about your band that no one will find in any interview or review that you care to divulge?

The music I wrote for this album is heavy, progressive and melodic. Intertwining cinematic music arrangements, metal and prog rock with lyrics that paint majestic imagery, while still leaving the lyrical canvas black and white, allowing the listener to fill in the colors.

Any funny stories from playing shows / tours / festivals, etc?

This particular line up has never played any live shows, but before recording this album, How and I played in a couple of cover bands together and Mike Romeo and myself have gotten together a few times to jam with various musicians. So, I had an idea of what this project would sound like before it ever came together.

What do you see as some of the great things happening in and around the metal scene (yours or just in general) and what are some of the worst things happening right now?

Unfortunately, I don’t see many good things happening in the metal scene right now. More people are turning to AI as a source of entertainment, either never knowing or appreciating music when it comes from an individual’s creativity. That’s what gives a musician their musical identity and gives you a glimpse of their musical essence, which is unique to everybody.

Most folks have passions for a cause or causes that are close to them. What, if any, are some of the most important issues (social/political/humorous/etc.) for you / your band and how do you insert those issues into your music?

I like to view art forms and entertainment as a temporary escape from reality. I’m not interested in holding up a blue or red flag, just to take people on a musical journey to forget their problems.

Do you have day jobs or hobbies you want to share?

As far as jobs go, I work for the Catholic Church and my family’s business. I’m also in a couple of cover bands playing everything from Motown to disco to country and everything between. When I’m not doing that, I’m spending time with my wife or fishing.

What advice do you have for music critics and outlets out there? How can we all better serve the genre in the eyes of a hard-working musician?

I don’t really read too many reviews from critics or the such, but I know it’s really different than it was in the glory days of metal and music in general. Now that it’s even harder to make a living or be successful in music, I think we’re going to see even less talent. So, when someone who’s unique and genuine comes out, we should collectively get behind the person or band to support them in any way. Streaming royalties are a cruel joke, so if people want quality music to keep coming out, buy that CD or vinyl, it could make the difference if we see another album from that artist again or not.

Any specific long term goal(s) in mind?

I’d love to do more albums and some selective live shows. I’m already planning as much as I can, without getting ahead of myself. Ultimately, the reception of this album will determine all of my future decisions. If the album isn’t well received, I can accept that and continue to keep playing privately, like I’ve been doing for the past 25 years. Fingers crossed, I’ll have that opportunity to keep recording, releasing and performing for the fans for years to come.

When you’re not obsessing over your own material, what are some of your favorite albums to listen to currently?

I listen to all styles of music, but my heart is really in hard rock/metal. I love Rush, Zeppelin, Old UFO, Rainbow, Journey and Hendrix.

What is the near future outlook for you or your band? Any specific events on the horizon that the masses should be aware of?

Near future plans are to do a lot of interviews and get the word out about this project. A lot of people have asked me questions over the years regarding what happened with Symphony X and what I’m currently doing and I’m looking forward to answering those questions.

Summarize your band in one word.

Majestic.

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Many thanks to Thomas for the time!

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Thomas Miller’s Lazarus Effect is out now through Sensory Records/Lasers Edge. Head over to Instagram to follow along.