
About four years ago, I reviewed Omnium Gatherum’s Origin, an album I enjoyed on first listen, but ultimately ranked lower than I expected. Two of my main issues regarding that album were its pacing and instrumentation, which, at times, was jarring, especially on multiple listens. Thus, when it was announced that the band was releasing their newest full-length, May the Bridges We Burn Light the Way (May the Bridges…), I hoped that the band would fix those previous issues and let us see a new side to their already long-spanning career. Spoiler alert: Not only does May the Bridges… resolve the issues that Origins had, but it has also invigorated them into making still-stellar melodeath.
Continue reading




