Hey all, happy Friday. I’m bringing this wonderful piece of content your way this week because I accidentally stumbled on some delicious local offerings recently that I felt the need to talk about. I’ve been listening to some new music as well… in between repeat listens of the latest from The Ocean and Enslaved. Obviously. Shall we quench our thirsts?Continue reading
Heavy is a state of mind and today’s Second Circle is a tale of heavy from two different ends of the spectrum. Spirit Adrift’s Enlightened In Eternity is a tale of modern day, straightforward heavy metal and Kneel’s Ailment is a tale of jagged heavy that comes out of society’s current level of pain and anguish. This piece aims to find the common ground between two albums and this common ground is the ‘heavy’ but these are vastly different albums from vastly different corners of the universe. So, without further ado, let’s discuss.Continue reading
It’s August, which I feel is enough time to start building the argument that one of the releases destined to end up on my 2020 EOY list is a compilation of demos that were originally released in 1990. One of my “safe places” during this shitstorm that is the current world politic has been retreating to the sounds that made me fall in love with metal, metal that moved beyond the hairspray and whirlwind solos that attracted me in the first place.
With that in mind, I want to focus this edition of Nine Circles ov… on the absolute treasure trove that is Divebomb Records (not to mention parent company Tribunal Records). The work they’re doing releasing obscure and oftentimes unrecognized early metal gems—not to mention some great packaging when it comes to physical releases—has been exemplary, and the chance to highlight some of the many, many great pieces I’ve found digging through their Bandcamp page is one I couldn’t pass up. Continue reading
I’ve always been of the opinion that black metal doesn’t have to break the mold or take itself too seriously to be good, and frankly Calgary’s Black Pestilence doesn’t do either of those things on their sixth full length, Hail the Flesh, despite a wide collection of influences. What they do manage to accomplish is the creation of rip-roaring, ferocious songs that are fast, catchy, and most importantly fun as all get-out to listen to. This is not an album that is going to change the face of black metal, but man does it go hard. Continue reading
I’m the resident goat guy ’round these parts, so it was my solemn duty to check out any album with the horned beast featured so prominently in the title. Alas, I only see six, and not 666 goats actually carrying (though pulling would be more accurate) said chariot, but despair not, because Bütcher make no pretensions of math being their strong suit. Their trump card is metal, and 666 Goats Carry My Chariot is an almost ridiculous blast of old school thrash and speed: full of bombast, screams and leads that will melt your face and drive you away to dismal cold.
Even though the current logo reminds me of a burning in hellfire Stryper. Continue reading