In a 2009 essay titled Transcendental Black Metal, Liturgy frontwoman Haela Hunt-Hendrix details her philosophy on black metal. For her the goal of black metal is to move past what she’s calls the Hyperborean black metal of Norway to her brand of “transcendental black metal”. The body of the essay discusses the genre in connections to her own religious philosophies. For Hunt-Hendrix, black metal isn’t a genre to follow but a medium to express their uniquely personal Christian ideology. It’s an attitude and philosophy that has led to Liturgy having polarized reputation with metal fans.
That friction between the expectation of what black metal, a genre with origins in paganism, is like and what Liturgy create is precisely what makes them exciting. The Brooklyn based band still utilizes the traditional high pitched guitar shredding, blast beats, and howling one expects of black metal. Yet on a given album you might also hear bells, flutes, harps, electronic breaks, and chamber orchestras. That willingness to go out on a limb may not be endearing but it makes them exciting. With the release of 96396 imminent, now seems like a good time to reassess Liturgy’s discography as a whole for new fans and people who previously wrote them off. It’s a recognition that a band can start out as one thing and transform into something else.
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