In Dante’s Inferno, the second circle begins the proper punishment of Hell, a place where “no thing gleams.” It is reserved for those overcome with Lust, where carnal appetites hold sway over reason. In Nine Circles, it’s where we do shorter reviews of new (ish) albums that share a common theme.
In today’s edition of Second Circle we take a look at the latest releases from grind legends, who happen to share a magnificent collaborative past (Gridlink, Hayaino Daisuki) and have now reached stunning creative apexes with their respective new albums. Whether it is pure serendipity or part of a divine plan that these albums are released on the same day only adds to their allure. So let’s dive head first into the unhinged brilliance of Takafumi Matsubara and No One Knows What The Dead Think. Continue reading →
Cattle Decapitation have announced a North American tour with Atheist, Full of Hell, Primitive Man, Author & Punisher, and Vitriol. Some of those names are swapped on certain dates, but either way this is an absolutely massive, massive bill. Dates run from November 22nd through December 22nd.
I want to close with something fun because, again, today was stupid. Here is Wildstreet with “Tennessee Cocaine”. It actually dropped on the 22nd, but didn’t make it into our inbox until today. OH WELL.
Receiving the Evcharist is our weekly feature where we pair choice albums with our favorite libations. Drink from the cup of heresy. This week’s offering: Full of Hell’s Weeping Choir and Oskar Blues Brewing Company’s Guns ‘N’ Rosé. Continue reading →
Literally no one said ‘hey, I want to read this lengthy ass intro of blah blah’s and yada yada’s’ when there’s a mountain of metal to get to. So, shall we?! I know, it’s Monday. But still, LET’S DO IT.
When I think of power metal, what I really think of is the thrashy classic metal leaning sort that Atlanta’s Paladin provide on debut full length Ascension. After being head over heels with their previous pair of shweeet demos, this surpasses my expectations and brings a mile wide grin. Weeping Choir, the fourth full length from Full of Hell, touches on nearly every facet of the band’s busy history and is one of their most ferocious outings yet; grind, death, noise, experimental, the list could go on but you get the idea and you know they rule so, do that – choirs will definitely weep. Lo-Pan just continue to be one of the most exciting bands in heavy rock today and on Subtle they put an exclamation mark on that statement and are anything but subtle. Last up top is the legendary Saint Vitus with their first full length in seven years and ninth overall, Saint Vitus, AND with Scott Reagers back behind the mic. Personally, I was stoked for this thing and even though it’s not one of their best it is very good and I’m enjoying it. Your mileage may vary, etc etc.
This is one of those weeks where I sincerely hope you all are doing better than I am. As you can probably tell by my absence in our Friday column, I am laid up with all manner of plague, illness, and devilry this week. The one saving grace has been a barrage of good music, both new and old. The trifecta of new Gilead Media releases have all had their first tracks released, a rip-roaring new single dropped from my hometown heroes Immortal Bird, a stunning new collab between Full of Hell and Lingua Ignota, and the 30th birthday of The Cure’s Disintegration reminded me just what a masterpiece that album truly is. These things have been carrying me through the week on their shoulders, and I’ll let them speak for themselves in our mixtape playlist below. Now, to keep watching Diners, Drive-In’s, and Dives to remember a time when solid food was an option for me…