The Nine Circles Audio Thing: Necrot’s Luca Indrio on their upcoming album “Mortal,” the importance of hard work, the impact of their debut “Blood Offerings,” Luca’s early days, the Metal vs Racism platform and so much more!

Necrot
Necrot – photo courtesy of Chris Johnston

Bay Area’s Necrot have, in short order, become a household name for those of us that love our death metal sinewy and with tons of blood and guts yet keeping intact the basic tenets that death metal was built upon. Their first full length Blood Offerings saw the band explode with tons of positive coverage and electrifying live shows to back it up. And now with their second offering Mortal they build on this success with an even gnarlier sound that will appeal to not only death metal fans but fans of all metal far and wide. There’s no escaping the hype train for these guys but it is well deserved, this is a band that is building their future by staying true to themselves and working as hard as they can to share true death metal with the masses. It’s vicious, pummeling ecstacy and truly lightning in a bottle as bassist and vocalist Luca Indrio will explain immediately below.
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Album Review: Rhapsody of Fire – “The Eighth Mountain”

rhapsody of fire - the eighth mountain

And so it was written…Rhapsody charged the plains of battle out of Italy, begetting symphonic power metal the likes of which had never been seen.  But lo, the Beast of Trademark trampled forth, and thus Rhapsody begat Rhapsody of Fire, which continued to blaze the sky alight with neoclassical lightning from the fingers of Luca Turilli and the gilded vocal cords of Fabio Lione.  But Fate is a fickle mistress, and in 2011 Turilli left to form…Luca Turilli’s Rhapsody, leaving the original Rhapsody, now called Rhapsody of Fire, to continue the charge.  Except that Fabio Lione left in 2016 and is now forming a new band with Luca Turilli called…Turilli/Lione Rhapsody?  It boggles the mind, but fear not, for the original Rhapsody, now called Rhapsody of Fire but missing almost all its original members is still here, and the amazing thing of it all is that their latest album The Eighth Mountain is not only good, but it kicks all sorts of power metal ass. Continue reading

Wake Up and Smell the Satan! – August 10, 2018

wake-up-and-smell-satan

All the Satan news paused for a week out of respect for the Behemoth album announcement. However, the Bringer of Light was busy the last few days…

  • The Satanic Temple, this week, broke into full-out public warring over its retention of a lawyer representing neo-Nazi and other clients. Into the fray have included national leaders, those who have left the organization, and those who have stayed. Salacious at points, it is one of the more intriguing looks at the Satanist group that actually does not necessarily believe in Satan.
  • Speaking of politics, Italy’s far-right Interior Minister Matteo Salvini is feuding with a Catholic publication that compared him to Satan for his stance on immigration.
  • Theistic Satanist Marie Ravensoul has a new book, which she recently talked about on the Dark Illumination podcast.
  • Peru is reeling from a grisly murder reportedly inspired by Satan.
  • On a lighter note, I am wondering which of you did it.
  • And also going lighter, if you have not seen the TV show Preacher‘s portrayal of Satan as part of the season’s storyline, you may be missing out. He has a hired gun rounding up Hitler, who escaped from Hell.

Out this week in black metal, Detroit’s Divine Ecstasy summons Mayhem and Master’s Hammer in its new album, Strange Passions, streaming here:

Speaking of that raw style, Ill Omen released The Grande Usurper this week. The Australian act put forth just under half an hour of fire on this:

Japan’s Abigail are out with a new album as well. Far East Black Metal Onslaught sees frontman Yasuyuki Suzuki going all out as always:

– EA

 

 

Profile – Haruspex of Selvans

Selvans
Selvans

April 21st of this year saw the limited edition cassette reissue of Lupercalia from Italy’s black metal band Selvans. The album was originally released in 2015 on Avantgarde Music but with the Folkvangr reissue, now is the perfect time for those who missed it initially to experience the band’s take on cults and folklore from their home country set to wildly expressive, expansive and — at times — epic music. We recently had the opportunity to ask Haruspex our set of Profile questions so read on to see what he had to say and don’t forget to grab your copy before they’re gone. Continue reading

Album Review: Cioran – “Bestiale Battito Divino”

cioran-album

Caligari Records is really carving out a nice little niche for itself in the analog world of metal on cassettes. Between the doom thrash of Obscure Evil and the blackened doom of Mindkult (notice a trend here?) Nine Circles has been in the bag for the type of music Caligari puts out for some time now. Judging by their credo that “Only True Music Is Real” and Bestiale Battito Divino, the new mini-album by Italian blackened punk band Cioran it looks like the trend of quality underground metal is going to continue. Continue reading